Event research The Wolfe Tones
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14,500
Capacity
The Wolfe Tones at the OVO Hydro, Glasgow
Presale Passwords & On Sale Times
The Wolfe Tones
| Public Onsale | Jan 28 Wed 2026 | 10:00am | to | Jun 25 Thu 2026 | 8:00pm | |||
| Jan 26 Mon 2026 | 10:00am | to | Jan 28 Wed 2026 | 9:00am | ||||
| Jan 26 Mon 2026 | 10:00am | to | Jan 28 Wed 2026 | 9:00am | ||||
| Jan 26 Mon 2026 | 10:00am | to | Jan 28 Wed 2026 | 9:00am | ||||
| Jan 27 Tue 2026 | 10:00am | to | Jan 28 Wed 2026 | 9:00am | ||||
Tour Schedule
The Wolfe Tones
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Wikipedia Bio
The Wolfe Tones | |
|---|---|
| Background information | |
| Origin | Bluebell, Dublin, Ireland |
| Genres | |
| Works | Discography |
| Years active | 1963–present |
| Labels |
|
| Members | Noel Nagle Brian Warfield Tommy Byrne |
| Past members | Liam Courtney Derek Warfield |
| Website | wolfetonesofficialsite |
The Wolfe Tones are an Irish folk and ballad group, famous for performing rebel songs, historical ballads, and Traditional Irish music with strong nationalist themes. Formed in 1963, they take their name from Theobald Wolfe Tone, one of the leaders of the Irish Rebellion of 1798, also carrying a double meaning, referencing the wolf tone; a sound that can affect instruments in the string family of the orchestra.[1][2]
The Wolfe Tones being one of the longest standing ballad groups in Ireland, gathered popularity from their distinctive melodies and a repertoire that mixes traditional tunes with original songs about Irish history, politics, and culture. The band's accolades include receiving the keys to the cities of New York and Los Angeles, and their version of Thomas Davis' rebel song 'A Nation Once Again' was voted the world's favourite song in a 2002 BBC World poll.[3]
- ^ "The Wolfe Tones - Irish folk band known for rebel songs". Irish Music Daily. Retrieved 23 March 2024.
- ^ "What are Wolf Tones? | Johnson String Instrument". www.johnsonstring.com.
- ^ Millar, Stephen R. "Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act1." Popular Music 35.3 (2016): 297-319.
Source: Wikipedia