Event research Robyn Hitchcock Live And Electric - Full Band Show with support from Jeremy Fetzer and Eric Slick

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Robyn Hitchcock Live And Electric - Full Band Show with support from Jeremy Fetzer and Eric Slick

The Basement East

Nashville, TN

Apr 23 Thu • 2026 • 8:00pm

Alternative Rock | Rock and Pop | Country and Folk | Comedy | More Concerts | Rock

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The Basement East, Nashville, TN

400
Capacity

Robyn Hitchcock Live And Electric - Full Band Show with support from Jeremy Fetzer and Eric Slick at the The Basement East, Nashville, TN

Tour Schedule

Robyn Hitchcock Live And Electric - Full Band Show with support from Jeremy Fetzer and Eric Slick

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Wikipedia Bio

Robyn Hitchcock
Hitchcock singing into a microphone and playing guitar
Hardly Strictly Bluegrass festival,
6 October 2012
Background information
Born
Robyn Rowan Hitchcock

(1953-03-03) 3 March 1953 (age 73)
Paddington, London, England
Genres
Occupations
  • Musician
  • singer
Instruments
  • Vocals
  • guitar
  • piano
  • harmonica
  • bass
Labels
Websiterobynhitchcock.com Edit this at Wikidata

Robyn Rowan Hitchcock (born 3 March 1953) is an English musician. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar. After leading the Soft Boys in the late 1970s and releasing the influential Underwater Moonlight with them in June 1980,[1] Hitchcock launched a prolific solo career.

Hitchcock's earliest lyrics mined a rich vein of English surrealist comic tradition and tended to depict a particular type of eccentric and sardonic English worldview. His music and performance style was influenced by Bob Dylan, and by the English folk music revival of the 1960s and early 1970s. This was soon filtered through a then-unfashionable psychedelic rock lens during the punk rock and new wave music eras of the late 1970s and early 1980s.[2] This combination of musical styles won Hitchcock's band of the time, The Soft Boys, an enthusiastic if small fanbase. However, the Soft Boys' final album together, Underwater Moonlight, posthumously earned them a glowing reputation (particularly in America) as a major influence on bands like R.E.M.

After finding a measure of success in the latter 1980s in America, Hitchcock's lyrical and musical horizons broadened further to encompass a range of approaches while still retaining a recognisably surreal, but more serious, signature style. He has recorded for two major American labels (A&M Records, then Warner Bros.) over the course of the 1980s and 1990s, and was the subject of a live performance/documentary film (Storefront Hitchcock) by major motion picture director Jonathan Demme in 1998. Since the turn of the millennium he has also finally received belated critical recognition in his home country. Despite this, mainstream success remains limited. He continues to tour and record prolifically and has earned strong critical reviews over a steady stream of album releases and live performances, and a dedicated "cult following"[3] for his unique body of work.

  1. ^ Holdship, Bill (13 March 2001). "The Soft Boys: Underwater Moonlight". Rolling Stone. Archived from the original on 2 October 2007. Retrieved 15 February 2015.
  2. ^ "The Top 100 Albums of the 1980s". Pitchfork. 21 November 2002. p. 4. Retrieved 5 February 2023.
  3. ^ Trager, Oliver (4 December 1997). The American Book of the Dead. Simon and Schuster. p. 64. ISBN 978-0-684-81402-5. Hitchcock developed a sizable cult following on the heels of the critical acclaim he received in the mid-1980s for his highly poetic, if somewhat obscure, songs.

Source: Wikipedia