Event research Official Lollapalooza Aftershow feat Villanelle

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Ticket Reselling Official Lollapalooza Aftershow feat Villanelle

Official Lollapalooza Aftershow feat Villanelle

Cobra Lounge

Chicago, IL

Jul 31 Fri • 2026 • 10:00pm

Rock

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Cobra Lounge, Chicago, IL

300
Capacity

Official Lollapalooza Aftershow feat Villanelle at the Cobra Lounge, Chicago, IL

Presale Passwords & On Sale Times

Official Lollapalooza Aftershow feat Villanelle

Public Onsale   May 29 Fri 2026 10:00am to Jul 31 Fri 2026 10:00pm

Tour Schedule

Official Lollapalooza Aftershow feat Villanelle

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Pro Members see all 11 upcoming events on the tour schedule.

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Wikipedia Bio

Rural landscape with grassy cliff top to the right, sea and shore in the background to the left. Shepherd in a blue smock stands on cliff top to the right, leaning on his staff, with a flock of sheep grazing around him.
A classic pastoral scene, depicting a shepherd with his livestock; a pastoral subject was the initial distinguishing feature of the villanelle. Painting by Ferdinand Chaigneau [fr], 19th century.

A villanelle, also known as villanesque,[1] is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third lines of the first tercet repeated alternately at the end of each subsequent stanza until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.

The form started as a simple ballad-like song with no fixed form; this fixed quality would only come much later, from the poem "Villanelle (J'ay perdu ma Tourterelle)" (1606) by Jean Passerat. From this point, its evolution into the "fixed form" used in the present day is debated. Despite its French origins, the majority of villanelles have been written in English, a trend which began in the late nineteenth century. The villanelle has been noted as a form that frequently treats the subject of obsessions, and one which appeals to outsiders; its defining feature of repetition prevents it from having a conventional tone.

  1. ^ Kastner 1903 p. 279

Source: Wikipedia