Event research Guilt Trip & Malevolence

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Ticket Reselling Guilt Trip & Malevolence

Guilt Trip & Malevolence

Marquis

Denver, CO

Apr 20 Mon • 2026 • 6:00pm

Hard Rock/Metal | Rock | Metal | Alternative Rock

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Marquis, Denver, CO

505
Capacity

Guilt Trip & Malevolence at the Marquis, Denver, CO

Presale Passwords & On Sale Times

Guilt Trip & Malevolence

Public Onsale   Feb 6 Fri 2026 10:00am to Apr 20 Mon 2026 8:00pm
Citi® Cardmember Presale Feb 4 Wed 2026 10:01am to Feb 5 Thu 2026 10:00pm
Live Nation Presale Feb 4 Wed 2026 12:00pm to Feb 5 Thu 2026 10:00pm
Ticketmaster Presale Feb 4 Wed 2026 12:00pm to Feb 5 Thu 2026 10:00pm
Venue Presale   Feb 4 Wed 2026 12:00pm to Feb 5 Thu 2026 10:00pm
Bandsintown Presale Feb 5 Thu 2026 10:00am to Feb 5 Thu 2026 10:00pm
Citi® Cardmember Preferred Tickets Feb 6 Fri 2026 10:00am to Mar 23 Mon 2026 10:00pm
Citi® Cardmember Presale Feb 4 Wed 2026 12:00pm to Feb 5 Thu 2026 10:00pm
Live Nation Presale Feb 4 Wed 2026 2:00pm to Feb 5 Thu 2026 10:00pm
Ticketmaster Presale Feb 4 Wed 2026 2:00pm to Feb 5 Thu 2026 10:00pm
Venue Presale   Feb 4 Wed 2026 2:00pm to Feb 5 Thu 2026 10:00pm

Tour Schedule

Guilt Trip & Malevolence

4 similar events found

Event Date Event Venue Capacity Location Report
Apr 14 Tue • 2026 • 6:30pm Guilt Trip & Malevolence The Masquerade - Altar Atlanta, GA Report
Apr 20 Mon • 2026 • 6:00pm Guilt Trip & Malevolence Marquis Denver, CO Report
May 6 Wed • 2026 • 7:00pm BLOOD 4 BLOOD Ocean Center Daytona Beach, FL Report
Jun 11 Thu • 2026 • 8:00pm MALEVOLENCE / BOUNDARIES / GRIDIRON / HEAVY RUNNER Hybrydy Warsaw Report

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Wikipedia Bio

Frederick the Great plays flute in his summer palace Sanssouci, with Franz Benda playing violin, Carl Philipp Emanuel Bach accompanying on keyboard, and unidentified string players; painting by Adolph Menzel (1850–52)

Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances.

Because of its intimate nature, chamber music has been described as "the music of friends".[1] For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works.[2]

Johann Wolfgang von Goethe described chamber music (specifically, string quartet music) as "four rational people conversing".[3] This conversational paradigm – which refers to the way one instrument introduces a melody or motif and then other instruments subsequently "respond" with a similar motif – has been a thread woven through the history of chamber music composition from the end of the 18th century to the present. The analogy to conversation recurs in descriptions and analyses of chamber music compositions.

  1. ^ Christina Bashford, "The String Quartet and Society", in Stowell (2003), p. 4. The expression "music of friends" was first used by Richard Walthew in a lecture published in South Place Institute, London, in 1909.Walthew, Richard H. (1909). The Development of Chamber Music. London: Boosey. p. 42.
  2. ^ Estelle Ruth Jorgensen, The Art of Teaching Music (Bloomington: Indiana University Press, 2008): 153–54. ISBN 978-0-253-35078-7 (cloth); ISBN 978-0-253-21963-3 (pbk).
  3. ^ Christina Bashford, "The String Quartet and Society" in Stowell (2003), p. 4. The quote was from a letter to C. F. Zelter, November 9, 1829.

Source: Wikipedia