Event research Love, Laughter and Turkey After!
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Love, Laughter and Turkey After!
Montgomery Performing Arts Centre
Montgomery, AL
Nov 26 Wed • 2025 • 8:00pm
Rock and Pop | Jazz and Blues | Rap and Hip-Hop | Comedy | R&B/Urban Soul | World Music | Blues | R&B | Hip-Hop/RapAi Ticket Reselling Prediction
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1,805
Capacity
Love, Laughter and Turkey After! at the Montgomery Performing Arts Centre, Montgomery, AL
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Love, Laughter and Turkey After!
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Wikipedia Bio
| Cupid | |
|---|---|
God of desire, erotic love, attraction, and affection | |
Sculpture of Cupid, by Bertel Thorvaldsen | |
| Symbol | Bow and arrow |
| Mount | Dolphin |
| Genealogy | |
| Parents | Mars and Venus |
| Consort | Anima |
| Children | Voluptas |
| Equivalents | |
| Greek | Eros |
| Hindu | Kamadeva |
In classical mythology, Cupid /ˈkjuːpɪd/ (Latin: Cupīdō [kʊˈpiːdoː], meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor /ˈɑːmɔːr/ (Latin: Amor, "love"). His Greek counterpart is Eros.[1] Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, in which he is wounded by his own weapons and experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as "Love conquers all" and the retaliatory punishment or torture of Cupid.
In art, Cupid often appears in multiples as the Amores /əˈmɔːriːz/ (in the later terminology of art history, Italian amorini), the equivalent of the Greek Erotes. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition. In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto.
Cupid continued to be a popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love. In the Renaissance, a renewed interest in classical philosophy endowed him with complex allegorical meanings. In contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentine's Day.[2] Cupid's powers are similar, though not identical, to Kamadeva, the Hindu god of human love.
- ^ Larousse Desk Reference Encyclopedia, The Book People, Haydock, 1995, p. 215.
- ^ This introduction is based on the entry on "Cupid" in The Classical Tradition, edited by Anthony Grafton, Glenn W. Most, and Salvatore Settis (Harvard University Press, 2010), pp. 244–246.
Source: Wikipedia
